By M. A. R. Habib
This entire consultant to the historical past of literary feedback from antiquity to the current day offers an authoritative evaluation of the main activities, figures, and texts of literary feedback, in addition to surveying their cultural, ancient, and philosophical contexts.
provides the cultural, historic and philosophical historical past to the literary feedback of every era
allows scholars to determine the advance of literary feedback in context
Organised chronologically, from classical literary feedback via to deconstruction
Considers a variety of thinkers and occasions from the French Revolution to Freud’s perspectives on civilization
can be utilized along any anthology of literary feedback or as a coherent stand-alone advent
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Extra info for A History of Literary Criticism: From Plato to the Present.
From earliest childhood, they must be “insensibly” guided “to likeness, to friendship, to harmony with beautiful reason” (III, 401c–d). Given the desired psychical constitution of the guardians as brave, sober, and selfcontrolled, we might sympathize or at least understand Plato’s proscriptions of such passages – until we come across his actual definitions of these qualities. ” In qualification, Plato explains that the courage thus defined is “the courage of a citizen” (IV, 430b). He likens the implantation of such courage in the guardians to a dye which “might not be washed out by those lyes that have such dread power to scour our faiths away” (IV, 430a).
Plato is adamant on this point, insisting that “it is impossible for one man to do the work of many arts well” and that in the ideal city every man would work at “one occupation . . all his days” (II, 374a– c). This rigid division of labor is the foundation of the entire analogy between the just individual and the just city. And this is perhaps where we approach the heart of Plato’s overall argument concerning justice and poetry. ” It is also defined as the “principle of doing one’s own business” and “not to be a busybody” (IV, 433a–b).
Hence in the earlier book Plato advocates an open and strict censorship of poetry, introducing certain charges hitherto unelaborated: (1) the falsity of its claims and representations regarding both gods and men; (2) its corruptive effect on character; and (3) its “disorderly” complexity and encouragement of individualism in the sphere of sensibility and feeling. Music, observes Socrates, includes tales and stories. ” These include Hesiod’s account of the struggles between Uranus and Cronus, and Homer’s depiction of Hera’s squabbles with Zeus.
A History of Literary Criticism: From Plato to the Present. by M. A. R. Habib