Download e-book for kindle: Ancient Epic Poetry: Homer, Apollonius, Virgil with a by Charles Rowan Beye

By Charles Rowan Beye

ISBN-10: 0865166072

ISBN-13: 9780865166073

Charles Rowan Beye's severely acclaimed interpretive advent to the epic poetry and poets of old Greece, Rome, and Assyria is the following reprinted in an multiplied moment variation with a brand new preface, new bankruptcy on Gilgamesh, and an Appendix of additional interpreting 1993-2005. for hundreds of years the beginnings of the literary background of the West have been outlined by way of the Hebrew Bible what most folk name the previous testomony and Homer's epic poems, the Iliad and Odyssey. those texts have been as soon as naively speculated to have occur in fantastic isolation both as a miracle of divine production or the spontaneous combustion of the 'Greek genius'. The powerful movement of phrases down over the millennia to our personal time are such a lot of generations of offspring nonetheless someway beholden to their preliminary begetters.

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Additional info for Ancient Epic Poetry: Homer, Apollonius, Virgil with a Chapter on the Gilgamesh Poems

Example text

Let us say for argum ent that the poet most often has been using this little detail in a scene after Achilles is dead. Som e inner voice tells him at this m om ent in the Iliad to pull out all the stops, since n o w that Patroclus is dead, it is all over for Achilles as w ell. Constant retelling of this story in one 32 · Ancient Epic Poetry form or another allow s both the poet and the audience to participate in the scene w ith an instinctive feeling o f the larger w h ole. A fter all, older m em bers of the audience m ust have had a relatively firm k n o w l­ ed ge of the principal stories, motifs, stereotypes, turns of phrase— all the tricks of oral perform ance.

Achilles, for instance, can be called Peliades, "son of P eleu s," w hich in any statistical survey ought to be noted as a variant of the nam e Achilles. Som e contem porary critics have detected w hat they believe is considerably more freedom in the invention and use of the language than the earliest proponents of the oral theory w ould allow; they argue for the existence of a poet or poets of the Iliad and the Odyssey w h o came late in the tradition, perhaps could write, and thus play around w ith the possibilities of this style in a w a y the original oral poet could not.

A s has long been observed, the narrator of the Odyssey never alludes to events that occur in the Iliad. Som e w ould call this profound ignorance of the Iliad; others w ould argue that such a pointed refusal to ackn o w l­ ed ge the other poem is tantam ount to accepting its intrusion into every scene. M ore recently, various scholars have draw n attention to w hat they im agine to be subtle allusions to the Iliad in the Odyssey. O ne m ay com pare the scene in the Odyssey (O d. 173) w h en A thena chides O d ysseu s (w ho is part of the mob scene as the m en rush to the ships) w ith a similar rhetorical question.

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Ancient Epic Poetry: Homer, Apollonius, Virgil with a Chapter on the Gilgamesh Poems by Charles Rowan Beye

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